This conceptual paper explores the intricate relationship between Indian classical music, emotions, and indigenous knowledge systems (IKS), with a specific focus on the concept of Raga-Rasa. By examining the theoretical foundations of Raga-Rasa, its application in music and emotional experience, and implications for well-being, this research aims to bridge the gap between traditional Indian aesthetics and contemporary understanding of emotions. Raga-Rasa, a fundamental concept in Indian classical music, posits that specific melodic patterns (Raga) evoke distinct emotional responses (Rasa). Drawing from ancient Indian texts such as the Natya Shastra, this study investigates the philosophical underpinnings of Raga-Rasa, its cultural significance in Indian aesthetics, and relevance to emotional experience. Through a critical review of existing literature and case studies of Indian classical music compositions, this research illuminates the complex interplay between Raga-Rasa, emotions, and well-being. The findings underscore the potential of Raga-Rasa as a therapeutic tool for emotional healing and holistic well-being. This paper contributes to the growing body of research on indigenous knowledge systems and their applications in contemporary contexts. By exploring the Raga-Rasa connection, this paper highlights the significance of traditional Indian aesthetics in understanding emotions and promoting well-being. The study's implications extend to music education, practice, and therapy, emphasizing the importance of cultural context and emotional intentionality in music. Ultimately, this research demonstrates the value of integrating traditional Indian knowledge systems with contemporary emotional understanding, fostering a deeper appreciation for the emotional benefits of Indian classical music.
Raga-Rasa, Indian Classical Music, Indigenous Knowledge Systems, Emotions, Well-being
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